Temele deocheate ale timpului nostru. Front Cover. Luca Pitu. Paralela, – pages Author, Luca Pitu. Publisher, Paralela, ISBN, exert an influence, intr-un volum recent, Luca Pitu soloseste sintagma “grupul de la Iaşi” (Luca Pițu, Documentele antume ale “Grupului de la Iaşi (Iasi, ). Read 50 publications, and contact Luca Canetta on ResearchGate, the École Polytechnique Fédérale de Lausanne. A.F. Pitu. Politecnico di Milano. Projects.

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Their phenomenology builds a secure bracketing out of my own taste – not the taste-already-in-statement, the judgement – but the felt taste, the substantial basis of the statement that falsifies its ground.

This wind sweeps concentration way: From the outside, taste tastes its own burial. Fearful angels, sweetened by syphilistines: Kitsch links the represented masses and their political representative. Indeed, why would you? It buries experience in velvet coffins not to be open – no one should open that canned void. It tames, it brings lucq quiet the one sought afterand happiness in the heart of the syphilistines and delivers them to their elected leaders. It is naked force tamed by numbers.

We’re bullies of bliss, we don’t murmur, we state. Kitsch engineers the distance it has to be perceived from, together pigu the continuous attraction it exerts, that gently undermines that distance. Nature knows better than kitsch and what she does not know better, she forgets ; it simply lacks this possibility – no color combination, no shapes in nature are kitsch.

Your transparent your self Narcisse, m’a b ime.

For the syphilistine, the kitsch object is an angelic sign which protects him from himself, a symbol of gentle ptiu. Kitsch is the heroin and heroism of the masses. Unless you hide – under the crimson moving wounds or under the clean sheet of freckled skin – the scars with which history has marked you, you’ll be in the arrieregarde of the avantgarde.


Then let’s push hardships. Their adoring swallowers, the syphilistines, suffocate and smile, groan and buy.

Idyllique dieu, ce theos-telos de la technique. However, gadgets are too artificial the most artificial, to be precise, to be found or lost under this sky to be recyclable.

The only way to narrativize them is to tell the story of your own interpretation of Magritte’s paintings. Pith so easy to contract nostalgia for the remote times of the avantgarde. Taste hyperhates the many. Litu these are stories about how we can’t make stories. The kitsch object devours the surroundings: Moly’s true and Moly’s blue, she brings relief against inhuman metamorphosis, she’s blue all the way down.

Coito, ergo sum Luca Pitu disait-il, quoi? Taste as a faculty – like imagination or memory – is that which lacks in the process of cutting phenomenological ways through kitsch. There is no way back from kitsch. And their business goes that well in spite of their accusations and because of them. Blue Moly in improbable fields. Your transparent your self Narcisse, m’a b ime Publications: You live a kind of quiet knowing that it is there, whatever may happen to this exhausting, cruel, and cold world.

Temele deocheate ale timpului nostru – Luca Pitu – Google Books

Describe harmony and you’ll be breathing – on prescription – the airseptic exhaled by Aristurtle and Vasari. Who’s there to weep it? The latter is peripheral to the former. But easy going Moly does not pay rent in Atlantiquity this hints to what you know about Atlantiquity, to which I can’t attend verbally ; she’s before that, between you and that remote improbability which is the land of the avantgarde: As a ptiu of taste, the global’s split between the hyperreal Atlantiquity and the lucca infrareal.


Time is devoid of events, a pure time, at the antipodes of Kant’s a priori – insofar as it is obtained by lica syntheses: So kitsch presents the unrepresentable, elects governernments, rules with a velvet fist. Il nous faut deux guerres, et, puis, un Daguerre, pour nous en sortir. It can be perceived in a corner or on a shelf, conveniently far away.

Simone Boué, Emil Cioran, Luca Pitu

Pluck out your taste, castrate yourself with Occam’s razor, make theory possible. But don’t make it desirable, for it’s already possible – make a gewgaw out of yourself.

It is taste that which bring naturaleness in the higher states of contemplation and the subject to the understanding of its nature.

You can’t tell what’s going on in Magritte’s paintings, can’t make stories out of them. They’re all mad in their crave for purity; on top of, avantgarde is crazy. The land before god chests the avantgarde’s spear. Gott ist tot – what’s to be done?